© 1984 Motown
© 1981 Island Records
Brimstone 6mo ago • 100%
I've been listening to these guys since you posted their music a while ago. They're really good.
Brimstone 6mo ago • 100%
A bit of a typical pop ballad from 80s Japan. But I like world music, so thumbs up.
Brimstone 6mo ago • 100%
Interesting detour from the usual stuff, didn't know these guys.
1974
© 1966 Capitol Records
© 1969 Decca Records
Brimstone 7mo ago • 50%
Care to elaborate on that?
© 1982 Arista Records, Inc.
Brimstone 7mo ago • 100%
Nice demo. But the producer was right... the song became far more interesting and edgier with a dance arrangement, in place of the initial "bossa nova" style. And popularity is not the same as quality... but I don't see this one leading the rankings either, despite how enjoyable it is.
Late at een, drinking the wine, Or early in a mornin, The set a combat them between, To fight it in the dawnin. "O stay at hame, my noble lord! O stay at hame, my marrow! My cruel brother will you betray, On the dowy houms o Yarrow." "O fare ye weel, my lady gaye! O fare ye weel, my Sarah! For I maun gae, tho I neer return Frae the dowy banks o Yarrow." She kissd his cheek, she kaimed his hair, As she had done before, O; She belted on his noble brand, An he's awa to Yarrow. O he's gane up yon high, high hill - I wat he gaed wi sorrow - An in a den spied nine armd men, I the dowy houms o Yarrow. "O if ye come to drink the wine, As ye hae doon before, O? Or if ye come to wield the brand, On the bonny banks o Yarrow?" "I im no come to drink the wine, As I hae doon before, O, But I im come to wield the brand, On the dowy houms o Yarrow." Four he hurt, an five he slew, On the dowy houms o Yarrow, Till that stubborn knight came him behind, An ran his body thorrow. "Gae hame, gae hame, good-brother John, An tell your sister Sarah To come an lift her noble lord, Who's sleepin sound on Yarrow." "Yestreen I dreamd a dolefu dream; I kend there wad be sorrow; I dremd I pu'd the heather green, On the dowy banks o Yarrow." She gaed up yon high, high hill - I wat she gaed wi sorrow - An in a den spy'd nine dead men, On the dowy houms o Yarrow. She kissd his cheek, she kaimd his hair, As oft she did before, O; She drank the red blood frae him ran, On the dowy houms o Yarrow. "O haud your tongue, my douchter dear, For what needs a' this sorrow? I'll wed you on a better lord Than him you lost on Yarrow." "O haud your tongue, my father dear, An dinna grieve your Sarah; A better lord was never born Than him I lost on Yarrow." "Tak hame your ousen, take hame your kye, For they hae bred our sorrow; I wiss that they had a' gane mad Whan they cam first to Yarrow."
Brimstone 8mo ago • 100%
The composition is a bit AI like to me. Is it yours?
© 1982 Chrysalis Records Ltd.
Brimstone 8mo ago • 100%
The new orchestrated version is quite a lot better than this original. But its not from the '80s.
© 1988 Mercury Songs Ltd.
Brimstone 8mo ago • 100%
We could say that Love, in fact, has quite a lot of power.
Brimstone 8mo ago • 50%
Yes, she was a terrific singer. She even looks gorgeous in this performance too. No autotune, of course.
© 1981 Island Records Ltd.
© 1988 Parlophone Music Sweden
© 1989 4AD Ltd.
© 1987 Dinosaur Jr. Inc.
Brimstone 9mo ago • 100%
Its from a record of musical poems by the finnish composer, all of great beauty and strong allure.
Barbirolli and Hallé Orchestra did an outstanding job with Sibelius, this entire offering from the 60s is a gem and I believe any casual listener should be able to notice something interesting going on. The Karelia suite, for instance, finally has the proper tempo rubato for the work and truly makes justice to the music... other conductors, and orchestras, perform like a metronome at times. This is just one of the merits of the performance, but I think its very important with this composer.
Brimstone 9mo ago • 100%
Its always nice to discover good music, and a place like this, where you can share tunes with similar minded people, helps precisely with that.
The harp sounds are definitely special, but I'm very pleasantly surprised by the bass sound and tone achieved by this particular piece. The cartridge in the turntable also gives a lot of definition to the audio, but not to the point of being harsh. I think the first time I listened to this album back in the 80s, or 90s, it was recorded on standard casette... so there's quite a leap in quality this time around.
Brimstone 9mo ago • 100%
Indeed, thanks for the historical note Rolando. The lyrics in english are like this (deepl.com translation)
He walks on the street
Don't say where
His brain full of heavy metal
And his liver is dead
His veins are open
And smell like formalin
It's all very distressing
Like he is in Vienna
All of Vienna
Is on heroin today
All of Vienna
Dreams with Mozambin
All of Vienna, Vienna, Vienna
Also takes cocaine
In the ball season at all
You can see all of Vienna, Vienna, Vienna
Is so wonderfully there, there, there
Cocaine and codeine
Heroin and mozambine
Make us go, go, go
There, there, one, two, three
Cocaine and codeine
Heroin and mozambine
Make us go, go, go, go, go
Three, four
Brimstone 9mo ago • 100%
I rather find that Iron Maiden is probably one of the more consistent bands with its output, actually. You either like them or you don't, and that's a good thing by itself because it shows that, regardless of musical taste, they know their trade. Its not an easy thing to be consistent.
With Black Sabbath, I have a lot more problems because they have entire albums which are, for me, quite terrible from a song writing perspective. I don't mean a couple of songs, I mean from start to finish. If I pick one record I haven't listened to yet, I just have no idea if I'm going to like it or not.
With Quiet Riot I agree. They have records which honestly kind of suck.
Brimstone 9mo ago • 100%
Sure... but to be honest, I rarely enjoy the entire output of most metal bands. Finding one which had consistently composed great songs is a bit of a challenge, despite the very talented interpreters and shredders from the genre. What you describe could be sort of a common disease.
Much of Black Sabbath I find hard to stomach, for instance. On the other hand, I really like a couple of their albums.
Brimstone 9mo ago • 100%
Appreciated. The 80s can't be fully understood without Germany... it was a factory of singles, many of them became hits all around the world. In fact, I believe Falco was the very first artist I posted in Lemmy myself, with his "der Kommissar".
edit: sorry, I forgot that Falco was austrian, not german. Still a good artist though... I posted another song of his in our 80's jukebox.
Brimstone 9mo ago • 100%
The problem with Marx was that the surplus value is nothing else but paper exploitation. Real wealth can only be in the consumable product of work that is being send to the market, not in work itself. That's why his labor theory and ideas on surplus value are all wrong.
In a private economy, the final product is, literally, socialized once in the market... because it never remains in the hands of the capitalist. If the capitalist produces cars, he doesn't get to keep hundreds of thousands of cars in his own garage. All the capitalist obtains in terms of capital increases, are symbolic riches on painted paper - in other words, its not just that labor exploitation is not exploitation as such... its that the capitalist is even deceived by his own economic system, so that he becomes willing to share his output freely with others, the economy can work, and goods can be exchanged. This happens every time he receives money, or make believe wealth, in exchange of giving real material wealth to another... probably a worker for some other industry who gets to benefit, as a consumer, from the work of another.
We have to understand that money is useless for absolutely everything, except in aiding in the exchange of goods and services. It has -no value- in and of itself.
But even if it had value, if money in itself were wealth, redistribution and expropriation as solutions to social inequality are also mistaken, because the math just doesn't add up. Pick any super billionaire from the US and divide his/her fortune by the population number. You'll see that if we wanted to take entire fortunes from the rich in order to distribute equally to all the rest, we wouldn't be able to cover household expenses for more than a couple of months, if that. And you sacrifice entire production lines in doing this, so you'd get scarcity and price increases on top of this failure.
There's a good reason why marxist economics have been tried so many times and have always failed. Marxist conclusions are indeed very sound in a logical sense... but their starting point is a problem which is badly defined. The premises which are contained in their arguments are completely wrong in empirical terms.
Brimstone 9mo ago • 100%
Its the best version of the song, even if it didn't got into the movie. That said, Donnie Darko had a point in slowing down the tempo... it is indeed slightly too fast for the song. On the other hand, Tears killed it by incorporating the brass the way they did.
Brimstone 9mo ago • 100%
While this is the original song and arrangement, what you hear is in fact one of the remasters... and its pretty much perfection. The old recording didn't do the song justice in my opinion.
Brimstone 9mo ago • 100%
Japan had some terrific avant garde at the time, many of its bands had humoristic sensibilities, but were serious in being innovative in music. This song to me is a great example, it shouldn't sound good as most instruments are highly compressed and saturated, but it does. It has long passages of harmonic dissonance but still resolve in the tonic. Love it.